{"id":31,"date":"2024-01-04T21:18:16","date_gmt":"2024-01-04T20:18:16","guid":{"rendered":"https:\/\/mariupol2022.com\/?page_id=31"},"modified":"2024-06-05T13:52:27","modified_gmt":"2024-06-05T11:52:27","slug":"accueil-mariupol-2022","status":"publish","type":"page","link":"https:\/\/mariupol2022.com\/","title":{"rendered":"Accueil"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Olesia\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\u00c9V\u00c8NEMENTS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLE TABLEAU<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tOLESIA TROFYMENKO<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\n\t\t\t\t\t\tInterview The Guardian<\/span>\n\t\t\t\n\t\t\t\t\t\tBien s\u00fbr, l'Art ne peut arr\u00eater la guerre, mais gr\u00e2ce \u00e0 la culture, il est plus facile pour les gens de se forger une id\u00e9e sur les ukrainiens. Nous avons une id\u00e9e de la culture fran\u00e7aise gr\u00e2ce aux impressionnistes, au Louvre et au mus\u00e9e d'Orsay.<\/i><\/span>\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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Le tableau<\/strong><\/a> \u00ab Mariupol 2022 \u00bb repr\u00e9sente les premi\u00e8res semaines de la prise de la ville<\/strong> de Marioupol. Il d\u00e9nonce la barbarie<\/strong> des envahisseurs russes par la destruction<\/strong> syst\u00e9matique des infrastructures civiles<\/strong>, m\u00e9dicales, \u00e9nerg\u00e9tiques et culturelles alors m\u00eame que les combats \u00e9taient concentr\u00e9s en dehors de la ville dans le complexe sid\u00e9rurgique d’Azvostal.<\/p>

Nous avons tous en m\u00e9moire<\/strong> les images traumatisantes de la maternit\u00e9 bombard\u00e9e<\/strong>. De cette jeune m\u00e8re<\/strong> sortie sur une civi\u00e8re alors qu’elle \u00e9tait en plein travail d’accouchement<\/strong>. Celles du th\u00e9\u00e2tre<\/strong> d’Art dramatique o\u00f9 plus de 1200 personnes, femmes<\/strong> et enfants<\/strong>, s’y \u00e9taient r\u00e9fugi\u00e9s<\/strong> pensant \u00eatre en s\u00e9curit\u00e9, prot\u00e9g\u00e9es par l’inscription \u00ab Enfants \u00bb en lettres cyrilliques sur le perron.<\/p>

Cette \u0153uvre<\/strong> restera comme le symbole<\/strong> des villes martyres ukrainiennes telles Boutcha, Irpin, Izium et bien d’autres malheureusement.<\/p>

Ce tableau est issu du documentaire<\/b> \u00ab Marioupol, l’espoir n’est pas perdu \u00bb de Max Lytvynov produit par Volodymyr Borodiansky (OUP Documentary).
Il constitue l’un des trois piliers du film avec les t\u00e9moignages des femmes ayant surv\u00e9cu \u00e0 l’enfer et les images d’actualit\u00e9 prises sur place au cours de la destruction de la ville.<\/p>

Plut\u00f4t que de laisser le spectateur submerg\u00e9 par le choc brutal d’images de morts et de corps d\u00e9chiquet\u00e9s, Max Lytvynov a eu l’id\u00e9e d’inclure dans sa r\u00e9alisation une \u0153uvre picturale. Cette \u0153uvre aura pour but d’inciter le spectateur \u00e0 utiliser son imagination<\/b> pour une meilleure r\u00e9flexion<\/b> sur cette trag\u00e9die.<\/p>

Il a alors demand\u00e9 \u00e0 l’artiste ukrainienne Olesia TROFYMENKO<\/a><\/strong> de cr\u00e9er un tableau o\u00f9 tout y est d\u00e9nonc\u00e9.<\/p>

En 7 jours \u00e0 peine, l’artiste s’est litt\u00e9ralement investi<\/b> dans sa cr\u00e9ation, consid\u00e9rant ce travail comme une v\u00e9ritable mission<\/b>. Le r\u00e9sultat est extraordinaire. Il d\u00e9gage aupr\u00e8s du public une force<\/b> et une attraction<\/b> empreinte d’\u00e9motion<\/strong>.<\/p>

Gr\u00e2ce \u00e0 cette \u0153uvre magistrale (300×205 cm), le documentaire conserve toute son authenticit\u00e9<\/b> tout en affichant \u00e9norm\u00e9ment de pudeur<\/b>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\n\t\t\t\t\t\tOlesia TROFYMENKO<\/span>\n\t\t\t\n\t\t\t\t\t\tJe consid\u00e8re ce documentaire comme l'un des projets les plus importants auxquels j'ai eu l'honneur de participer<\/i>.<\/span>\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
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Ce tableau<\/a> n’avait jamais \u00e9t\u00e9 expos\u00e9 auparavant. Il dormait paisiblement au fond de l’atelier de l’artiste. Il \u00e9tait temps que cela change !<\/p>

Nous avons donc propos\u00e9 le tableau au Salon des<\/strong> Ind\u00e9pendants<\/strong><\/a> pour leur exposition du Grand Palais Eph\u00e9m\u00e8re de f\u00e9vrier 2024.<\/span><\/p>

Conscients de l’importance et du caract\u00e8re unique, le Pr\u00e9sident et l’\u00e9quipe\u00a0<\/span>organisatrice ont \u00e9t\u00e9 unanimes pour l’accueillir dans l’exposition offrant ainsi une Premi\u00e8re Mondiale \u00e0 Paris<\/strong>.<\/p>

\u00c0 en juger par les r\u00e9actions des visiteurs, il nous semble indispensable que le tableau poursuive une carri\u00e8re en France et \u00e0 travers le monde en tant que v\u00e9hicule culturel pour \u00e9veiller<\/b> les consciences<\/b> sur cette trag\u00e9die aux portes de l’Europe.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u00c9V\u00c8NEMENTS LE TABLEAU OLESIA TROFYMENKO Interview The Guardian Bien s\u00fbr, l’Art ne peut arr\u00eater la guerre, mais gr\u00e2ce \u00e0 la culture, il est plus facile pour les gens de se forger une id\u00e9e sur les ukrainiens. Nous avons une id\u00e9e de la culture fran\u00e7aise gr\u00e2ce aux impressionnistes, au Louvre et au mus\u00e9e d’Orsay. Le tableau […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"yoast_head":"\nAccueil - Mariupol 2022<\/title>\n<meta name=\"description\" content=\"Le tableau d'Olesia Trofymenko peint \u00e0 l'occasion du film documentaire Mariupol 2022 a \u00e9t\u00e9 expos\u00e9 \u00e0 Paris au salon des artistes ind\u00e9pendants.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mariupol2022.com\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Accueil - 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